Inspired, A Very Special Project | Jennifer Jabbour Photography

    Hopping right into another awesome series of The Inspired Project with the Super talented Jennifer Jabbour Photography. Her rich imagery and processing and use of light is not only masterful and special but beautiful and grabbed me right away! I was sucked right into her blog!

    You can find her website HERE.

    Hi Jennifer!

    Lets get to know you! How would you describe yourself in three sentences?  

    I’m deeply in love with God and my life is devoted to doing all I do in a way that glorifies Him. I’m an extroverted introvert – meaning I love being alone, doing my own thing, getting lost in my own thoughts, yet I love being around people and being the center of attention. Other than that, I’m the typical San Diego girl – I love warm, sunny days and I love to be outside doing something active, like hiking, bike riding, or camping.

    What sparked your passion for Photography?
    It sounds so cliche, but the birth of my son and wanting to photograph everything about him, and then the sudden realization that my photos were not good at all is what sparked my passion and photographic journey.

    Whats in your camera bag? 
    Cameras: Nikon D700, a D200 with a dead a/f motor, (Film) Rebel EOS 2000
    Lenses:  85mm 1.8, 50mm 1.4, 35mm 1.8, 80 – 200 mm 2.8
    Other stuff: wireless remote, SB-600 speedlight

    What Camera/Equipment did you start out with?
    Nikon D50 and kit lens
    Jennifer has so graciously shared one of her starting out images!

    If you could only use one lens an entire session which one would you choose and why?
    If I could only choose one, it would have to be the 80 – 200 because it’s just a beautiful lens.  It means a lot of backing up, but the clarity, color and bokeh make it totally worth it!  Otherwise, I would have a hard time deciding between the 85 or 50. They’re both great portrait lenses.

    What advice would go give to someone just beginning in photography and hoping to have a business of their own?  

    Take it slow. Don’t rush to get clients or make money. Learn as much as you can with what you have. You don’t need to have the best gear on the market to be a great photographer. Shoot as much as possible and join a photography forum where others will give you honest critique of your work, so you can learn and grow more quickly.  And realize that the journey never stops – you will never stop growing.

    What was your first official Photographer crush if you had one? 
    Audrey Woulard  – I loved her bright and clean style; and she’s living proof that a photographer could get by just fine without using a fill flash or reflector.
    What kind of photos do you like to take for just yourself when not working with clients? 
    My personal photos tend to be quite moody.  My subjects are rarely looking at the camera. I prefer some grain and dramatic light. I absolutely love it when I happen upon streaming light and probably get more excited than I should about it. Also, I find myself printing in black and white more often than color.
    If you could photograph absolutely anyone who would it be dead or alive?

    My uncle Larry, who died of brain cancer on Dec. 24, 2011. He loved working on cars, and he had beautiful deep wrinkles in his face from being out in the sun so much. I would love to go back in time with my photography skills and spend a week with him, photographing “a day in the life” with him.

    Describe your style in 3 words.

    soft, hazy, moody

    Most embarrassing moment on a session would be?

    I think I must make a point to try not to embarrass myself, or I have a mental block of the times that I have. Typically, I just end up hurting myself – like the time I was doing a beach session, and i was crawling on my knees while shooting, and then slammed my knee down on a rock – that left a big bruise. Or the time I was photographing a newborn and was using the speedlight, making the camera very top heavy.  It started to swing around, and in order to keep it from hitting the baby, I took the impact and bruised my brow bone! Photography is dangerous work!

    Any challenges you have had to overcome to be where you are today?

    My biggest challenge that I have had to overcome is time. I am a full-time working mom, and have very little time to devote to photography.  I try to shoot on the weekends, and edit in the evening, but sometimes my life is just too busy to even do that much. I would love to take on more clients and more personal projects, but between my day job, driving the kids to their different activities, cooking, cleaning, laundry, and the rest of the to dos, I know realistically, I cannot take on more at this time in my life. My other challenge, which is directly related to time, is patience. I see others who have gotten as far as I am in my journal in a couple short years, but due to the little time I have to devote to this, it has taken me over 7 years to get here. I often grow impatient, knowing in my head all that I want to do and need to do, yet no time to actually go out and do it.

    Favorite time of day to shoot is? 
    Early morning when the sun is barely up and sunset.  I especially love the soft light when the sun has just gone down and it’s still light enough to keep my ss high and my ISO low enough to get good quality photos.

    If you had to stop taking photos right now, what would you do instead? 
    Write and paint. I have to express myself somehow, and before I discovered photography, I wrote and painted a lot. So I would just naturally fall back into that.

    Have you attended college or had any formal education in Photography? 
    No. I have a degree in Journalism, but on the writing side. My only photography education is what I’ve been able to learn from reading books and forums, and a couple online workshops (MLK workshop and Finding the Light) and a few CM breakout sessions.
    What do you do to get your clients to relax with you? 
    I just be myself. I talk to them, try to relate to them. I explain what to expect and then just try to have fun with them.  I laugh a lot. For older children I’ll tell jokes or be silly – just something to get them to laugh. If they’re too stiff in their pose, I’ll tell them to shake it out. Or I’ll have them jump around.

    What are your photography related goals for 2013? 
    I’m still trying to figure this out. Part of me is scared to set any goals because it just becomes too much pressure on my already full plate. But I would like to pinpoint some areas in my photography that need improvement and then do what I always do to learn – read, research, practice, post for critique, until I feel like my resulting photos match what I see in my head. Other than that, I have had a long time dream to become a Certified Professional Photographer, and I would like to start working in that direction this year.


    How do you push yourself to keep growing and learning? Any Big Aha! Moments? 
    I get bored when things get stagnant, and with that comes the desire to grow again. This happens every few months. I’m at that point right now.  I will say there were a few times in my photography journey that I had a major aha moment and that made my work change for the better – one was learning about ETTR (exposing to the right), the other was learning about using Kelvin for white balance. Another wonderful change happened after I posted on the ClickinMoms forum about what I needed to do to make my pictures make you say “wow”.  I learned so much from the wonderful women who voluntarily reviewed my portfolio. The two things that stuck with me were to step back and take risks.
    Biggest Photography related insecurity? 
    That I’m not really all that good at what I do. That I’m a fake. I worry that I’m like those people that audition for American Idol, thinking they are God’s gift to singing, and then they come to the awful realization that they can’t even sing on key. I’m afraid that’s going to be me one day, yet somehow, I continue to be surprised at how well my work is accepted by the photography world!
    Digital or Prints?
    Both – I was torn for a long time because I really want my work to be printed out by a reputable lab and hung on my client’s walls, but everyone wants the files, and in reality, it is easier to hand off the files right after I’ve edited them (though, I always provide a color 5×7 reference print for each file I sell).

    How do you set yourself apart from other local photographers? 
    I don’t really do anything to set myself apart; I don’t spend a lot of time worrying about what everyone else is doing, and instead, just focus on what I’m doing, what I like doing, and what I feel my photography is worth. So far it has worked for me.

    What do you think your next photography related investment will be?

    ah, my list is ever growing, but for the moment, I have everything I need. I do want a new gear bag and a macro lens… also I’d like to take some photography workshops that focus on the creative aspect of photography.

    If you had to recommend ONE thing that a photographer needs in their camera bag what would that be?
    50 mm lens – 1.4 or 1.8 – that has been my most used lens through the years
    What would you say your biggest muse is?
    my kids

    Fun stuff:
    Favorite Color:  blue
    Favorite Season: fall – all except the getting dark early part
    Biggest Guilty Pleasure: lately, York Peppermint Patties
    Pet Peeve: when people don’t get back to me – email, call, text, etc.
    Favorite Pandora Station: Come Away With Me (Nora Jones)
    Studio or On location: On-location
    What did you want to be when you grew up? A mom and an artist
    One thing no one knows about you is: I’m writing a novel.
    Pc or Mac: Mac
    Lightroom Or Photoshop: both, but if I had to choose – Photoshop
    Film or Digital: mainly digital, but I’m learning film
    Props or No Props: it depends; usually no props, but if I’m doing a themed session, then we use props. I almost always use props when photographing babies that aren’t walking.
    If you could travel anywhere it would be: Australia and Ireland
    Glass Half Empty or Half Full: depends on my mood; i’m typically a half glass full kind of girl; but if I’m having a bad day, or not feeling well, i lean towards the glass half empty outlook
    Favorite photo ever taken: i don’t really have a favorite photo – i have favorite client photos and lots of favorite photos of my kids, but i immediately though of this one of my daughter where the light is streaming down on her
    Raw or Jpeg: raw
    Favorite Music to Edit to: Disney channel tunes – most of my editing takes place while my kids are watching cartoons
    Favorite Quote: “I can do all things through Christ who gives me strength.” Philippians 4:13
    Most valued material possession: My engagement ring, that has since been replaced with a newer bigger diamond. I keep it in a special box on my dresser. It reminds me of how far my husband and I have come in the last 11 1/2 years and how much God has blessed us.
    Processing Style: it’s a little soft and hazy, kind of matte, lower contrast, muted tones
    Coffee or Tea: iced mocha or iced green tea – usually I would choose the mocha, unless I want something lighter, then I’d get the green tea
    If you could photograph a Celebrity who would it be?  Carrie Underwood – she’s just so beautiful. Maybe I could shoot her next cover pic 😀
    What kind of Camera bag do you rock? Still using the one my sweet hubby got me when he surprised me with my first DSLR – a Tamrac Teck Backpack. It’s holding strong, but doesn’t hold all my gear anymore.

    4 Lovely Comments  •  Leave a Comment for Sarah

    4 Beautiful Souls Commented

    1. Thanks so much for the sweet comments. I’m so happy to read how my interview has affected you! I love that you found it helpful 🙂
      Amy K – I learned about ETTR and Kelvin on photography forums. ETTR has to do with your histogram – you want the peak to be as far to the right as possibly without overexposing. This is especially beneficial when you shoot in RAW. When you ETTR, this allows you to collect as much data to as possible, and allows less noise because more than likely you will actually be decreasing exposure in post-processing, instead of increasing exposure (and thus introducing noise). Another thing to do when ETTR is to turn on your blinkies so you can see what is blowing out. It’s ok to have some blinkies on unimportant elements. Some people prefer no blinkies at all, depending on the look they are going for.
      Kelvin is simply setting your WB temperature manually. Change your WB setting to Kelving and then just adjust the actual temperature – high number is warmer, low number is cooler. I tend to shoot around 6250 outside and down around 3,000 inside at night.

    2. Amy K says:

      Loved the interview! You had me googling “expose to the right!” Could you point us in the right direction to learn more about that process? Also, using Kelvin for WB. I’ve been having issues lately with my WB and I’d love to learn more – do you have any sites or info you recommend I read on this?

      I love your style!

    3. Rachel says:

      Oh my goodness….thank you for your amazing and honest interview! I felt a weight slightly lift. I started teaching myself a year ago. I have a very very busy and time absorbing job (that is amazing) but I feel that I’m just not progressing to the images I see in my head as fast as I want. And I see so many seem to move so quick. I get so frustrated some days. But yet, photography makes me so happy inside, I keep telling myself “it might take more time, but you’ll get there”, but I wasn’t sure I believed my mantra until I saw your gorgeous and emotion filled images. Thank you Jennifer ans Sarah!

    4. Amanda Craft says:

      This interview was amazing to read I felt I could relate to almost everything she was saying. Thank you so much for posting this!!!

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